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James K.A. Smith author of Introduction to Radical Orthodoxy as well as Radical Orthodoxy and the Reformed Tradition (two books I recommend) writes an interesting post in relation to “Viva la Vida” Coldplay’s lastest cut on their most recent album.

He writes:

I’ve been enjoying Coldplay’s latest offering, Viva la Vida or Death and All of his Friends. But the lyrics of “Viva la Vida” have been a thorn in my side, mainly because I just haven’t been able to determine the referent (not that I think there need to be ONE, ULTIMATE referent–indeed, I’m not entirely sure that Martin knows what the song is referring to). A quick internet skim seems to indicate that this has been a matter of discussion. CLICK HERE TO VIEW LYRICS

But then yesterday I had a bit of an interpretive inspiration from a sermon on the resurrection (focusing on the Creed’s affirmation, “…the third day he rose again from the dead”). This took me to the end of 1 Corinthians 15 where Paul makes a confident, triumphant, albeit eschatological announcement about something “to come”: “When this perishable body puts on imperishability, and this mortal body puts on immortality, then the saying that is written will be fulfilled: ‘ Death has been swallowed up in victory.’ ‘Where, O Death, is your victory? Where, O Death, is your sting?’”

Paul notes that this victory is, in an important sense, still to come: when that transformation (resurrection) takes place, then we will almost be able to taunt death as he does here: “Where, O Death, is your victory now?” But given the resurrection of Christ, there is also a sense in which that eschatological reality–that reality to come–has already broken in upon the world. The first victory has been won. Death’s reign has been deposed, though we live in a (horribly long) interim where death is a kind of lame duck king. Thus John Owen, the great Puritan divine, penned a masterful treatise on The Death of Death in the Death of Christ.

This got me thinking: could it be that the track “Viva la Vida” is an anthem in this tradition? That is, could it be that the subject or referent of the song is actually “Death and all of his friends?” Is death perhaps this deposed king who once ruled the world? Granted, it requires a radical faith to not think that death still rules the world. But could “Viva la Vida” be an eschatological hymn, sung in hope, with some intimation that death has been deposed? Indeed, could we hear Coldplay’s catchy little tune as a popular, 21st-century rendition of John Donne’s great metaphysical poem:

DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think’st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell’st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

I hope so. I hope as such.

What do you think?